When we say a drama needs to be based on a conflict, and that involves a protagonist and an antagonist, it brings to mind a hard-nosed clash that you’ve seen with Batman versus the Joker or James Bond shooting at Goldfinger. This can sound alarm bells. While such whizzbang, violent conflicts are great fun to do, they’re not usually what we seek in the world of corporate drama. The next models that come to mind are perhaps soap operas and other more human-scale dramas. But even these frequently feature stand-up rows and tears, not the sort of thing we can usually entertain.
The fact remains, however, that to articulate a story in drama, conflict is essential, and the starting point is a protagonist and an antagonist. So, how can we make these characters realistic, but nevertheless credible in dramatic terms?
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